自2017年起，广东美术馆品牌大展“广州影像三年展”已成功举办两届，收获了业界内外的广泛好评，展览也由此成为了城市重要的文化艺术盛事。日前，“广州影像三年展2025”的筹备工作已全面启动，广东美术馆有幸邀请到长期深耕于策展研究和实践，且对影像和艺术领域具有较高的关注度、敏锐度和观察力的专家学者，共同组成本次展览的策展团队，展览将由王绍强担任总策划，米歇尔·普瓦韦尔（Michel Poivert）、何伊宁、陶丝·达赫玛尼（Taous Dahmani）担任策展人。

 

Since its inception in 2017, the Guangdong Museum of Art's flagship exhibition, the "Guangzhou Image Triennial," has successfully held two editions, garnering widespread acclaim both within and beyond the industry. The exhibition has thus become a significant cultural event for the city. Recently, preparations for the "Guangzhou Image Triennial 2025" are now fully underway. The Guangdong Museum of Art is honored to have invited experts and scholars who have long been dedicated to curatorial research and practice, and who possess a high degree of attention, acuity, and insight into the fields of image and art, to jointly form the curatorial team for this exhibition. The exhibition will be led by Wang Shaoqiang as Chief Curator, with Michel Poivert, He Yining, and Taous Dahmani serving as Curators.

 

总策划

王绍强[中]

Wang Shaoqiang

 

 

现任广东美术馆馆长，二级研究员，教授、博士生导师。享受国务院特殊津贴专家。兼任中国美术家协会理事、广东省美术家协会副主席、广东省美术馆协会会长、教育部高等学校教学指导委员会委员，入选“广东特支计划”宣传思想文化领军人才、广东省“十百千”工程培养对象等人才项目，连续两次被评为“中国艺术权力榜”上榜人物，获评《国家美术》“风云人物”，荣获第二十二届那不勒斯文化经典奖艺术家奖。长期从事近现代美术及当代艺术研究，曾策划 2017 广州影像三年展，2021 广州影像三年展等大型展览，担任第六届广州三年展的总策划与文献展策展人，第七届广州三年展总策展人，2023 成都双年展总策展人及其他具有国际影响力的大型展览策划。

 

Director of Guangdong Museum of Art, serves as a National Level-2 Researcher, professor, doctoral supervisor,  and an expert with State Council Special Allowance. He also serves as a member of China Artists Association, Vice Chairman of Guangdong Artists Association, President of Guangdong Art Museum Association, and a member of the Teaching Steering Committee of Higher Education, Ministry of Education. He has been selected for projects such as “Guangdong Provincial Talent Support Program” and “The New Century Tens, Hundreds, Thousands Talent Project” in Guangdong Province. He has been listed twice on “Chinese Art Power List” and was named one of the Influential Figures by National Arts Magazine. Wang was also awarded with Artist Award at the 22nd Napoli Cultural Classics. He has been engaged in the research of modern art and contemporary art for a long time. He once planned large scale exhibitions such as Guangzhou lmage Triennial 2017 and Guangzhou lmage Triennial 2021, and served as the Chief Director and Archival Exhibition Curator of the 6th Guangzhou Triennial, Chief Curator of the 7th Guangzhou Triennial and the 2023 Chengdu Biennale and other large-scale exhibitions with international influence.

 

策展人

米歇尔·普瓦韦尔[法]

Michel Poivert

 

©Catherine Peter

 

摄影史学家、策展人，巴黎先贤祠-索邦大学（巴黎第一大学）摄影与当代艺术史教授。曾任巴黎第一大学艺术史博士院院长，期刊《摄影研究》编辑委员会成员与法国摄影学会主席（1995–2010）。他创办了国际摄影学院，并获法国文化部授予的“艺术与文学”军官勋位。2024年，他被法国文化部任命为“摄影诞生二百周年”系列纪念活动的科学委员会成员。其重要出版物包括：《当代摄影》《世界摄影艺术史》《摄影简史》《法国摄影五十年：1970至今》等。他策划或联合策划过多项重要展览，包括“摄影乌托邦：法国摄影学会150年”（巴黎欧洲摄影之家，2004）、“事件：图像作为历史的行动者”（法国国家影像美术馆，2007）、“图像的颠覆：超现实主义、摄影与电影”（蓬皮杜艺术中心，2009–2010）、“法国摄影的视觉革新：1968–1989”（法国蒙彼利埃人民展馆，2022–2023）、以及“AImagine：摄影与生成影像”（比利时布鲁塞尔 Hangar 摄影艺术中心，2025）等。

 

Michel Poivert is a photography historian, curator, and professor of contemporary art history and photography at Paris 1 Panthéon-Sorbonne University. He previously served as Director of the Doctoral Department of Art History at Paris 1 Panthéon-Sorbonne, as editor of the journal Études photographiques, and as President of the French Society of Photography (1995–2010). He is the founder of the Collège international de photographie and has been named Officier des Arts et des Lettres by the French Ministry of Culture. In 2024, he was appointed by the French Ministry of Culture as a member of the scientific committee of the Bicentennial of Photography 2026–2027. His major publications include La photographie contemporaine, L’Art de la photographie: des origines à nos jours, Brève histoire de la photographie, and 50 ans de photographie française: de 1970 à nos jours. He has curated major exhibitions such as L’Utopie photographique: 150 ans de la Société française de photographie (Maison européenne de la photographie, Paris, 2004); L’Événement: les images comme acteurs de l’histoire (Jeu de Paume, Paris, 2007); La Subversion des images: surréalisme, photographie, film (Centre Georges Pompidou, Paris, 2009–2010, co-curator); Métamorphoses: la photographie en France 1968–1989 (Pavillon Populaire, Montpellier, 2022–2023); and AImagine: Photography and Generative Images (Hangar, Brussels, 2025).

 

何伊宁[中]

He Yining

研究者、策展人，《浮屿》与《星辉》两种文集的发起人。她撰写、编辑及翻译的出版物包括《劳特利奇摄影、表征与社会正义》（2022）、《记忆寓所》（2021），及《港口与影像》系列（2017、2019、2022）等二十余种。何伊宁在亚欧地区策划过超过五十个群展，近期策划项目包括“DBN序曲：解殖的目光”（北京德国文化中心·歌德学院，2025）、“相地堪舆”（广东时代美术馆，2024）、“想像中国”（布雷达大教堂，2020）等。她曾任第八届新加坡国际摄影节（2022）、第三届北京国际摄影双年展（2018）的联合策展人。何伊宁毕业于英国伦敦艺术大学伦敦传媒学院，目前是英国伯明翰城市大学艺术、设计与传媒学院中国视觉艺术中心（CCVA）的博士候选人。她的研究围绕2008年后中国当代艺术中的解殖艺术实践展开，考察艺术实践、半殖民主义遗留与当下解殖话语之间的联系。

 

A researcher and curator, she is the initiator of two publishing projects: Floating Island and Starlight. Her contributions to writing, editing, and translation span over twenty publications, including Routledge Photography, Representation and Social Justice (2022), The Abode of Anamnesis (2021), and the Port and Image series (2017, 2019, 2022). He Yining has curated over fifty group exhibitions across Asia and Europe, with recent curatorial projects including DBN Prelude: Decolonial Gaze (Goethe-Institut China, Beijing, 2025), Photographic Geomancy (Times Museum, Guangzhou, 2024), and China Imagined (Grote Kerk Breda, 2020). She served as co-curator for the 8th Singapore International Photography Festival (2022) and the 3rd Beijing International Photo Biennale (2018). He Yining graduated from the London College of Communication, University of the Arts London, UK, and is currently a PhD candidate at the Centre for Chinese Visual Arts (CCVA), The Faculty of Arts, Design and Media at Birmingham City University, UK. Her research focuses on decolonial art practices in contemporary Chinese art since 2008, examining the entanglement between artistic practices, semi-colonial legacies, and contemporary decolonial discourse.

 

陶丝·达赫玛尼[英]

Taous Dahmani

 

©Lynn S.K.

 

陶丝·达赫玛尼是常驻伦敦的艺术史学者，拥有法国、英国和阿尔及利亚多重文化背景，专攻摄影研究。她在国际范围内策划了众多群展和个展，包括2022年法国阿尔勒国际摄影节路易王妃发现奖展览以及2024年突尼斯Jaou摄影双年展。她的个人策展项目包括：在挪威博德NOUA空间举办的“SMITH”展览、在英国伦敦萨奇美术馆举办的“阿纳斯塔西娅·萨莫伊洛娃”个展，以及在日本京都国际摄影节呈现的“亚当·鲁哈纳”展览。达赫玛尼的写作成果广泛刊载于摄影画册和学术期刊中，她为费顿、Loose Joints、Textuel以及泰特出版社等知名出版机构撰稿，同时在《光圈》《FOAM》《Camera Austria》《英国摄影杂志》《Dazed》《GQ》和《1000 Words Magazine》等媒体发表专题文章。她担任《闪耀之光：20世纪80-90年代英国的黑人女摄影师》（MACK/Autograph ABP出版，2024年）一书的副主编，该出版物广受好评并屡获殊荣。此外，她还在伦敦艺术大学伦敦传媒学院担任特聘讲师。

 

Taous R. Dahmani is a London-based French, British, and Algerian art historian specialising in photography. She has curated both group and solo exhibitions internationally, including the 2022 Louis Roederer Discovery Award at Les Rencontres d’Arles (France) and the 2024 Jaou Photo Biennale in Tunis (Tunisia). Her solo curatorial projects include SMITH at NOUA (Bodø, Norway), Anastasia Samoylova at the Saatchi Gallery (London, UK), and Adam Rouhana at Kyotographie (Kyoto, Japan). Dahmani’s writing has been widely published in photobooks and journals, with contributions to titles by Phaidon, Loose Joints, Textuel, and Tate Publishing, as well as features in Aperture, FOAM, Camera Austria, The British Journal of Photography, Dazed, GQ, and 1000 Words Magazine. She is the associate editor of Shining Lights: Black Women Photographers in 1980s–90s Britain (MACK/Autograph ABP, 2024), a critically acclaimed, award-winning publication. She also teaches at London College of Communication (UAL) as an Associate Lecturer.

 

广州影像三年展2025

将于今年12月与观众见面

敬请期待！

 

关于广州影像三年展

Guangzhou lmage Triennial

 

“广州影像三年展”的前身是“广州国际摄影双年展”，第一届展览于 2005年举办。2017 年，广东美术馆将该项目正式更名为“广州影像三年展”，项目立足于媒介现象发展的观察与思考，把研究的重点从原来的“社会人文的摄影”拓展为更具包容力和学科性的“视觉研究的影像”，力图在更具开放性与方向性的工作中推动中国当代影像艺术的实践与研究。自更名以来，先后举办两届展览，并获得社会各界广泛的认可和好评：“复相·叠影——广州影像三年展2017”获得国家文化和旅游部2018年度全国美术馆优秀展览项目，“交融的激流：广州影像三年展2021”获得国家文化旅游部2020-2021年度的全国美术馆优秀展览提名项目。

 

 

 

 

“交融的激流：广州影像三年展2021”展览现场

 

Guangzhou Photo Biennial, the predecessor of Guangzhou lmage Triennial, was first held in 2005. in 2017, it was renamed by the Museum as Guangzhou lmage Triennial which, based on observation and thinking onthe development of media phenomena, expands the research focus fromthe original "social and humanistic photography" to the more inclusive anddiscipline-oriented "visual research image", aiming to promote the practiceand research of Chinese contemporary video art through more liveral andoriented efforts. Since its renaming, the "Guangzhou Image Triennial" has successively presented two editions of exhibitions, both receiving widespread recognition and acclaim from all sectors of society:  "Stimultaneous Eidos: Guangzhou Image Triennial 2017" received the National Art Museum Excellence Award from the Ministry of Culture and Tourism in 2018;  "Intermingling flux Guangzhou Image Triennial 2021: Guangzhou Image Triennial 2021" was nominated for the **National Art Museum Excellence Award** (2020-2021) by the Ministry of Culture and Tourism.  

 

 

 

 

“复相·叠影——广州影像三年展2017”展览现场

 

审定 /  涂晓庞 

供稿 /  姚小菲 胡天庥

排版设计 /  郑妍琳

编辑 /  曾睿洁