展期：2025年8月5日–2025年10月8日

地点：广东美术馆新馆二楼4、6号厅

（地址：广州市荔湾区白鹅潭南路19号）

主办单位：广东美术馆

策展人：王绍强

 

 

 

Date: August 5th – October 8th, 2025

 

Venue: Hall 4/6, 2F, Guangdong Museum of Art (BAIETEN)

 

Organizer: Guangdong Museum of Art

 

Curator: Wang Shaoqiang

 

 

 

 

 

 

 

展览简介

 

Introduction

 

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朴钟圭（Jongkyu Park）是韩国当代艺术的重要代表人物，其创作横跨绘画、装置与媒体艺术等多个领域。他于1966年出生于韩国大邱，毕业于启明大学西洋画系，后赴法国巴黎国立高等美术学院深造，由此建立起兼具国际视野与个人语言的艺术体系。

 

 

 

朴钟圭长期关注东方哲学中的“虚无”概念与西方信息系统中的二进制逻辑，并尝试以视觉语言回应“无中之有”的存在悖论。在他的艺术实践中，“比特流”（bitstream）成为一种贯穿始终的关键意象，既指涉数据传输的节奏，也象征人类感知与存在的基本单位。

 

 

 

本次展览聚焦于构成人类生命节律的多重脉动——包括身体的心跳、意识的流动，以及数字信号的无声传导。朴钟圭以“幻影”这一概念，串联起生命的律动与数据的震荡，构建出一种跨越感官的叙事结构。他所关注的，是那些在技术社会中逐渐被忽视、但仍然潜在运作的“被幻影化”的存在状态。在数字碎片构成的图像中，观众或将“看见”一颗无声跳动的心脏；在被延宕的时间缝隙中，或能“听见”消逝身体所留下的动作回声。该展览并非对过往的追忆，而是一次关于当下的探问：在技术与身体、记忆与时间、现实与虚拟不断交叠的当代语境中，我们如何重新理解那些看似已经消失，却依然在场的存在形态。

 

 

 

Jongkyu Park is an important representative figure in contemporary Korean art, whose creations span multiple fields such as painting, installation, and media art. Born in Daegu, South Korea in 1966, he graduated from the Department of Western Painting at Keimyung University and later pursued further studies at the École Nationale Supérieure des Beaux-Arts in Paris, France, thereby establishing an artistic system that combines an international perspective with a personal language.

 

 

 

Long focused on the concept of “nothingness” in Eastern philosophy and the binary logic in Western information systems, Park tried to respond to the existential paradox of “being within non-being” through visual language. In his artistic practice, “bitstream” is a key imagery that runs through, referring both to the rhythm of data transmission and symbolizing the basic unit of human perception and existence.

 

 

 

This exhibition focuses on the multiple pulsations that constitute the rhythm of human life—including the heartbeat of the body, the flow of consciousness, and the silent transmission of digital signals. With the concept of “phantom,” Jongkyu Park connects the rhythm of life with the vibration of data, constructing a narrative structure that transcends the senses. What he concerns himself with are those “phantomized” states of existence that are gradually overlooked in a technological society but still operate potentially. In the images composed of digital fragments, viewers may “see” a silently beating heart; in the delayed gaps of time, they may “hear” the echo of movements left by a vanished body. This exhibition is not a recollection of the past, but an inquiry into the present: in the contemporary context where technology and the body, memory and time, reality and virtuality are constantly overlapping, how should we rethink those forms of existence that seem to have disappeared but remain present?

 

 

 

 

 

 

 

具现 I  Embodiment I

 

布面丙烯  Acrylic paint on canvas

 

290.9×218.2cm

 

2018

 

 

 

具现 II  Embodiment II

 

布面丙烯  Acrylic paint on canvas

 

290.9×218.2cm

 

2018

 

 

 

垂直时间 I  Vertical time I

 

布面丙烯  Acrylic paint on canvas

 

290.9cm×218.2cm

 

2025

 

 

 

 

垂直时间 II  Vertical time II

 

布面丙烯  Acrylic paint on canvas

 

290.9×218.2cm

 

2025

 

 

 

垂直时间 III  Vertical time III

 

布面丙烯  Acrylic paint on canvas

 

290.9×218.2cm

 

2025

 

 

垂直时间 IV  Vertical time IV

 

布面丙烯  Acrylic paint on canvas

 

290.9×218.2cm

 

2024

 

 

 

垂直时间 V  Vertical time V

 

布面丙烯  Acrylic paint on canvas

 

290.9×218.2cm

 

2024

 

 

 

 

 

关于艺术家

 

About Artist

 

 

 

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朴钟圭

 

Jongkyu Park

 

1966 年出生于韩国大邱，他的代表作系列包括《垂直时间》《～交错》《信标代码》《具现》和《编码》，展现出内敛的优雅和概念的深度。他的作品经常探索时间与空间、记忆与存在、数字系统与人类感性之间的交集。尤其是《垂直时间》系列，作品将时间层转化为视觉形式，反映了对时间崇高维度的持续参与。朴钟圭在韩国和国际上都保有强大的展览影响力。最近的个展包括在首尔学古斋画廊举办的“鬼魅时代”（2023年）和在大邱GOODSPACE举办的“编码II”（2024年）。还参加了香港巴塞尔艺术博览会和纽约军械库艺博会等大型国际艺术博览会，赢得了越来越多的国际认可。

 

 

 

Born in Daegu, South Korea, in 1966. His signature series—including Vertical Time, ~Kreuzen, Beacon Code, Embodiment, and Encoding—demonstrate a restrained elegance and conceptual depth. His work frequently explores the intersections between time and space, memory and presence, digital systems and human sensibility. In particular, the Vertical Time series transforms temporal strata into visual form, reflecting an ongoing engagement with the sublime dimension of time. Throughout his career, he has maintained a strong exhibition presence both in Korea and internationally. His recent solo exhibitions include The Age of Ghosts and Ghosts at Hakgojae Gallery, Seoul (2023), and Encodings II at GOODSPACE, Daegu (2024). He has also participated in major international art fairs such as Art Basel Hong Kong and The Armory Show in New York, earning him increasing global recognition. 

 

 

 

 

 

 

 

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广东美术馆新馆

 

GDMoA BAIETAN Venue

 

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扫码预约

 

Scan the QR code to make an appointment

 

开放时间：每周二至周日9：00至17：00（16：30停止入场），逢周一闭馆（法定节假日和特殊情况除外）。

 

地址：广州市荔湾区白鹅潭南路19号。

 

电话：020-88902999，020-88902888。

 

Opening hours: 9:00-17:00 from Tuesday to Sunday, No admission after 16:30. Closed on Mondays (Excluding public vacation and exceptional situations)

 

Address: BAIETAN Venue: 19 BAIETAN South Road, Liwan District , Guangzhou, Guangdong

 

Enquiries: 020-88902999，020-88902888

 

 

 

 

 

广东美术馆新媒体平台

 

New Media Platform of GDMoA

 

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审定 /  涂晓庞

 

审校 /  曾睿洁

 

供稿 /  颜宇禧

 

编辑 /  张振康  杨茜贝