Introduction of the artist:

DU Yun (China)
Born in 1977, Shanghai, China. Lives and works in New York. Du Yun is a
composer, musician and performance artist. Commissions include: Detroit Symphony
Orchestra, Seattle Symphony Orchestra, Mann Center for the Performing Arts,
Berkeley Symphony Orchestra, Festivals fur Neue Musik & aktuelle Kultur
(Switzerland), the International Contemporary Ensemble (ICE), among others. Her
installation-performance-video collaboration with visual artist Shahzia Sikander
have exhibited at the Shanghai Rockbund Art Museum, the Tokyo Contemporary
Museum of Art, San Francisco Art Institute, Pace Foundation (San Antonio) and
Hong Kong Art Fair 2012; solo appearances at the National Academy of Museum
(USA), and the Whitney Museum of American Art.
Introduction of works:

Run is a simple shape perceived from two sides. On stage, two performers, the
artist Du Yun and Claire Chase, embark on an elongated process that follows
parallel trajectories: one, from an intimate space spilling into high voltage
intensities; the other, its exact opposite – the mirror image, going backwards;
high intensity dissolves into a stillness. At the core of rapidly increasing
movement lies this stillness. The duelling dynamic of the two on-stage
performers changes throughout the piece continuing to transform during and
after, mutating along each trajectory. They present instantaneous
disorientations and sudden abyssal faults that exist in ubiquitous routine.
Deconstructing the idea of a definitive performance, Du Yun invites the
audience to undergo a visceral experience from which no one interpretation might
be the ultimate result – while also offering the audience a more authoritative
role. If the audience is the transmitter of the work, the performers act as the
transducer and the composer provides the sound source, then who owns the
authorship of the work? It offers an analytical listening in relation to the
experience of the performance, in which it is as if one has been led into an
enclosed space in total silence and stillness, and starts to run, as fast as
possible. As the artist can see:
a beating heart hot blood in the veins moving through the air, with the
feet arching over the earth after a while the motion and the stillness are
inseparable and incongruous the presence of stillness at the heart of
movement of repose at the heart of the race of respect within
transgression the flying objects the inseparable, you are the dead, the
dead is you, you feel the long-gone intimacy, you love each other at that
moment.
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