新馆 | 山花迷人眼——彭康隆水墨画展
广东美术馆新馆（白鹅潭）3楼9号厅、11号厅
2025-11-14——
2026-03-08
山花迷人眼——彭康隆水墨画展
Peng Kanglong: Beguiling the Eye
展期：2025年11月14日至2026年3月8日
地点：广东美术馆新馆3楼9号厅、11号厅
（地址：广州市荔湾区白鹅潭南路19号）
主办单位：广东美术馆
协办单位：墨斋
总策划：王绍强
策展人：邓锋
Date:2025.11.14(Fri.) - 2026.3.08(Sun.)
Venue:Hall 9th and Hall 11th, 3rd floor
Guangdong Museum of Art (BAIETAN)
(Address: No. 19, Bai'etan S. Rd., Liwan District, Guangzhou）
Organizers:Guangdong Museum of Art
Supporting Organizer: INKstudio
Exhibition Director：Wang Shaoqiang
Curator: Deng Feng
展览简介
Introduction
当代重要的水墨艺术家彭康隆（1962年生于中国台湾），将在广东美术馆白鹅潭馆区，呈现其迄今为止最大规模的机构个展“山花迷人眼”，全面梳理其独创融合山水与花卉两种题材的当代演绎。展览由广东美术馆主办，墨斋协办，广东美术馆馆长王绍强任总策划，中国美术馆研究员邓锋担纲策展。展出近90幅珍品，时代跨度25年，其中多件超长手卷、巨幅画作与特制屏风等精彩亮相！“迷”是此次展览的题眼。彭康隆以缠绕、积叠、漂浮、满密的笔墨线质，别具一格地将山水与花卉交织构成，逼人眼目，撩人情绪。山水与花卉的空间节奏起伏，引人入胜。其笔墨呼应其个性，率性直接，充满动势，随机生发。其设色、墨韵与粗麻纸质的相互碰撞，营造出超载的逼人感与吸入感。学者赖毓芝对彭康隆的创作给予高度评价：“此种具有矛盾、转换、变形的空间与造型，以及与极具表现主义特质的线条并置，使得彭康隆早先已发展出的风格与母题，进一步转化为一种能够随时有机变形的存在形式。而这种自由的向度，也许正是彭康隆历经20年、透过对惯习的持续解构与内化后所达成的一种松动与解放。”
The Guangdong Museum of Art will present Peng Kanglong: Beguiling the Eye, the largest solo exhibition to date by the acclaimed contemporary ink artist Peng Kanglong (b. 1962, Hualien, Taiwan). Held at the museum's Baietan Venue, the exhibition brings together nearly 90 works spanning twenty-five years of Peng's artistic career, offering audiences an immersive visual experience that traces his integration of landscape and flower painting into a singular contemporary idiom. Organized by the Guangdong Museum of Art, with support from INKstudio, the exhibition is led by Wang Shaoqiang, the museum's director, and curated by Deng Feng, research fellow at the National Art Museum of China.
The word mi (迷), meaning “bewilder” or “fascinate,” serves as the conceptual key to the exhibition. Through swirling, layered, floating, and densely woven brushwork, Peng fuses landscapes and flowers into rhythmically charged compositions that captivate the eye and stir emotion. His brushwork reflects his temperament—spontaneous, direct, and brimming with dynamic energy—unfolding intuitively across the paper. The interplay of ink, color, and coarse hemp paper generates a palpable sense of tension and immersive allure.
Scholar Lai Yu-chih has written of Peng’s practice: “This spatiality and figuration—marked by contradiction, transformation, and metamorphosis—and their juxtaposition with lines of distinctly Expressionist character have further transformed the motifs and styles Peng Kanglong had previously developed into a mode of existence capable of organic mutation at any moment. This dimension of freedom may well be the loosening and release that can only be attained after two decades of persistently deconstructing conventions and fully internalizing them.”
彭康隆 Peng Kanglong
须弥之山 Mount Sumeru
纸本水墨设色 Ink and color on paper
144cm × 144cm
2022
彭康隆 Peng Kanglong
山水清音 Voiceless Landscape
纸本水墨设色 Ink and color on paper
147cm × 243cm
2022
彭康隆 Peng Kanglong
烁金 Scintillation
纸本水墨设色 Ink and color on paper
367cm × 146cm
2024
彭康隆 Peng Kanglong
花木掇石 Vegetation onto Rocks
纸本水墨设色 Ink and color on paper
714cm × 89cm
2014
彭康隆 Peng Kanglong
山花浪漫时 Mountain Flower Romance
纸本水墨设色 Ink and color on paper
367cm × 146cm
2023
彭康隆Peng Kanglong
恶之华 二之二 Flowers of Evil 2-2
纸本水墨设色 Ink and color on paper
141cm × 70.5cm
2022
关于艺术家
Aout Artist
彭康隆Peng Kanglong
彭康隆（1962年生于中国台湾花莲），1988年毕业于台北艺术大学水墨组。他的风格主要受到17世纪画僧石涛（1642-1707）和髡残（1612—1674年后）以及现代山水大家黄宾虹（1865-1955）的影响。
彭康隆近期在台北大院子举办《观花匪禁》个展（2025年），广受赞誉。其近期作品也曾在北京、纽约、台北、日本、香港展出。其作品被台湾美术馆、台北市立美术馆、富邦文教基金会、阿布达比皇室收藏、瑞士日内瓦水墨基金会及广东美术馆永久收藏。
Peng Kanglong (b. 1962 in Hualien, Taiwan) graduated from the Taipei University of the Arts in 1988 with a focus in Chinese brush and ink painting. His major stylistic influences include the 17th century Monk artists Shitao (1642–1707) and Kuncan (1612–after 1674), as well as the Modern landscape master Huang Binhong (1865–1955).
Peng Kanglong’s recent solo exhibition “Peng Kanglong: (In/Ex)haling the Vast Wilderness”, the Historical Grand Courtyard, Taipei (2025) has received widespread acclaim. His works have also been featured recently in Beijing 、New York 、Taipei 、Japan、 Hong Kong.His works are held in the permanent collections of the National Taiwan Museum of Fine Arts, the Taipei Fine Arts Museum, the Fubon Cultural and Educational Foundation, the Abu Dhabi Royal Family Collection, the Fondation INK Collection in Geneva, Switzerland and the Guangdong Museum of Art in Guangzhou, China.
彭康隆近期在台北大院子举办《观花匪禁》个展（2025年），广受赞誉。其近期作品也曾在北京、纽约、台北、日本、香港展出。其作品被台湾美术馆、台北市立美术馆、富邦文教基金会、阿布达比皇室收藏、瑞士日内瓦水墨基金会及广东美术馆永久收藏。
Peng Kanglong (b. 1962 in Hualien, Taiwan) graduated from the Taipei University of the Arts in 1988 with a focus in Chinese brush and ink painting. His major stylistic influences include the 17th century Monk artists Shitao (1642–1707) and Kuncan (1612–after 1674), as well as the Modern landscape master Huang Binhong (1865–1955).
Peng Kanglong’s recent solo exhibition “Peng Kanglong: (In/Ex)haling the Vast Wilderness”, the Historical Grand Courtyard, Taipei (2025) has received widespread acclaim. His works have also been featured recently in Beijing 、New York 、Taipei 、Japan、 Hong Kong.His works are held in the permanent collections of the National Taiwan Museum of Fine Arts, the Taipei Fine Arts Museum, the Fubon Cultural and Educational Foundation, the Abu Dhabi Royal Family Collection, the Fondation INK Collection in Geneva, Switzerland and the Guangdong Museum of Art in Guangzhou, China.
审定 / 涂晓庞
审校 / 曾睿洁
编辑 / 余舒雅
开放时间——每周二至周日9:00至17:00（16:30停止入场，16:45开始清场）
逢周一闭馆（法定节假日和特殊情况除外）。
广东美术馆新馆(白鹅潭)：广东省广州市荔湾区白鹅潭南路19号
前台电话: (020) 88902999
广东美术馆本馆(二沙岛)：广东省广州市越秀区二沙岛烟雨路38号
前台电话: (020) 87351468