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盛葳

录入时间: 2017-05-25

 
美术史博士、批评家、策展人。曾任Art Exit杂志主编、Muse Art杂志总编。现任《美术》杂志副主编、中国美协策展艺委会副秘书长。2009年获“王森然美术史奖”,2010年获“Yishu中国当代艺术批评奖”,2014年入选第二届“中国美术奖—理论评论奖”。
 
展览策划:
“互助社:策展与创作实验”
“孤寂的地平线:高名潞的70年代”
“创客:第二届CAFAM未来展”
“背后的逻辑”
“苏新平:从超现实主义到自动主义”
“三界外:观念的绝对化”
“博巴班前后的夏培耀研究”
“媒介研究:母题与个案(徐冰、隋建国、张大力、王友身)”
“新视觉2012”
“CHINA:中国当代艺术的今日与未来”
“在路上”
 
出版物:
《历史的错位:让-弗朗索瓦·米勒研究》
《青年艺术的发生系统、文化地图与区域生态》
《当代艺术的社会历史:论“体制”与“当代艺术”之关系》
《后殖民批评,民族主义与本质主义》
《无名画会考》
《为什么没有“新乡土”?》
《反抗的终结与阐释的焦虑:中国抽象艺术中的前卫性及其当代反思》
《艺术史逻辑、全球化语境与卡通一代的实践》
《捍卫批评》
《艺术史的“绑架”》
 
Profile: 
Sheng Wei is a critic and curator with Doctoral Degree in history of fines arts. Prior to his current job as the associate editor-in-chief of Art Magazine and deputy secretary general of the Curatorial Committee of China Artists Association, he served as the editor-in-chief of the Art Exit and Muse Art. He won “Wang Senran Scholarship for Fine Arts” in 2009, “CCAA Art Critic Award” in 2010 and the 2nd “Fine Arts Award of China—Theory Criticism Award” in 2014.
 
Main Curatorial Experience:
Mutual Aid Society: Curation and Creation Experiments;
The Lonely Horizon: Gao Minglu during the 1970s;
The 2nd “CAFAM Future” Exhibition—Observer-Creator;
The Logic Behind;
Su Xinping: From Surrealism to Automaticism;
Beyond Three Worlds: The Absoluteness of Conception;
On Xia Peiyao and the Influences of Eugen Popa: Intersectant Observation of Art History and Sociology;
Media Study: Motif and Cases (Xu Bing, Sui Jianguo, Zhang Dali, Wang Youshen);
New Vision 2012;
CHINA: Today and Tomorrow of Chinese Contemporary Art;
On the Road.
 
Main Publications:
Monograph: Historical Dislocation: Study of Jean-Francois Millet;
Generating System, Cultural Map and Regional Ecology of Youth Art;
Social History of Contemporary Art: On the Relation between “System” and “Contemporary Art”;
Postcolonial Criticism: Nationalism & Essentialism
The “No Name” Group Exhibition
Why no “new rural land”?
End of Resistance & Anxiety of Interpretation: Avant-Garde and Contemporary Reflection of Chinese Abstract Art
Art History Logic, Globalized Context & Practices of Cartoon Generation
Defending Criticism
”Kidnap” of Art History
 

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每日1630停止入场

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